January 29, 2016


JUNE 2ND – JUNE 30TH 2016

Laurence Vallières: Outside the Box
Station 16 Gallery sets up shop at Centropolis in Laval

Opening reception : June 2, 2016
Time: 6pm – 10pm
Exhibition : June 2 – June 30, 2016

Centropolis Laval: Espace Éphémère, 1850 Pierre-Péladeau, Laval, Québec, H7T 2Y5
Free Entry
DJ: Louis Roots

Station 16 Gallery is thrilled to announce the opening of a special pop-up location at Centropolis Laval featuring artwork by Laurence Vallières. Taking place during the MURAL festival, Station 16 Gallery is bridging the gap between downtown and the north shore by showcasing the work of Laurence Vallières in the first ever installation at Centropolis’ brand new Espace Éphémère. The exhibition, titled Outside the Box, will be on display from June 2nd to June 30th in partnership with LNDMRK and Delaney Vins & Spiritueux.

To inquire about specific works or request a ‘catalogue’, email : [email protected]

 
 
 

The Power of Socially-Frustrated Artists

In almost every city you go, you will be surrounded by street art. Often, it is eye-catching. Often, it is thought-provoking. But when you come across something that is both beautiful and critical, it is hard not to stop and stare at the piece on the street to analyze the message that the artist is trying to convey.

Truly powerful artists are those capable of successfully turning an everyday bystander into an active viewer as they are intrigued with a piece’s beauty, but also confronting them with the social and political undertones which they carry. In particular, the works of Miss Me, Gilf! and Starchild Stela are powerful, thought-provoking and not to mention, visually striking. These individuals are able to voice their unique societal frustrations through each of their mediums to create something that is able to inspire the common passerby.

Miss Me, based in Montreal, pastes large scale drawings of her own naked body up into the streets which she describes as “artful vandalism”. The act of using her own body as subject matter for street art can be seen as a powerful attempt to counteract centuries of female objectification through art. Throughout history, women’s bodies have been the subject of a myriad of famous paintings, yet rarely do these female subjects have the power Miss Me conveys, and rarely are they portraits of the artist themselves. Miss Me embraces and celebrates the very female sexuality fraught upon in history as she portrays her body in the act of revealing itself to the public eye. In addition, the image stares back to its viewers with an active gaze stopping them in their tracks and forcing them to examine the power of the female body.

The artist posing alongside the paste-up army of herself
 
As a poster pasted to a wall, people often think they can remove her presence simply by ripping it down. However, the strength of the paste always allows at least a portion of the poster to remain. A partially ripped version of her body standing tall above the streets calls to both the intense desire people have to possess her body but also the resilience and power of this body.
Check out more of her work on Facebook and Instagram

New York City street artist, Gilf!, produces socially conscious street art as she speaks on present-day issues such as gentrification and climate change in the attempt to critically provoke her viewers. Some of her most influential work has been large scale building intervention such as the larger than life “GENTRIFICATION IN PROGRESS” police tape she wrapped around 5 pointz, a mural space in Queens, to protest its destruction.

Check out more of Gilf!’s work on Instagram

“I started to install [the tape] outside buildings owned by slumlords, and corporate businesses that were taking over spaces that once housed small businesses. It’s really effective in barring people from moving through certain spaces, just as gentrification actually does the same thing to entire communities when expensive homes and services move in and take over,” says the artist.

Some of her other work, consisting of intricate patterns with messages embedded within, attracts the onlooker with geometric beauty incidentally forcing them to decipher the message within.

Purchase Gilf!’s Evolve print here
Starchild Stela is a Montreal-based feminist graffiti artist that uses their* medium to voice the frustration they have about the world that surrounds them in the hopes of critically challenging their viewers. Starchild Stela prefers to associate with graffiti culture as opposed to street art due to its rebel characteristics. It is almost as if they are reclaiming the very streets that have made them frustrated in the first place. Unlike most graffiti artists, however, Starchild Stela uses the medium of spray paint, as well as wheat-paste, to plaster the streets with powerful femininity as they paint beautiful characters with anime-esque features composed of pastel colours into the streets.
 
These figures, seemingly adding simply a ‘cute’ or ‘girly’ touch to the streets, are almost always accompanied with a powerful saying expressing the frustration or ambivalence the artist themself experiences on a daily basis. The soft beauty of these characters and the radical slogans prove their force on any viewer who has experienced or witnessed sexism in their lifetime.
 
Check out more of Starchild Stela’s work on Tumblr and Instagram
*Starchild Stela prefers to be referred to as a non-binary person. Please read more here.

Chloe Rowan
Chloe Rowan

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